Gounod - Violonissimo |
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Presentation
It will be noted that these three great sets of variations by Sarasate are youthful compositions. Nonetheless, we already find a fairly synthetic way of developing the main themes. It was by taking that into account I permitted myself to start from these compositions togo, if possible, even further in respecting the primary wish of their author.
The instrumentation that I wanted to generalise for string orchestra seemed quite appropriate for giving the soloist a foundation, a dialogue, a combat or a discussion in the same sonic grain.
Daniel Tosi
The instrumentation that I wanted to generalise for string orchestra seemed quite appropriate for giving the soloist a foundation, a dialogue, a combat or a discussion in the same sonic grain.
Daniel Tosi
Track list
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1.
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Charles Gounod | Capriccio on “Mireille”, Op. 6: I. Caprice | |
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2.
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Charles Gounod | Capriccio on “Mireille”, Op. 6: II. Valse-Ariette | |
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3.
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Charles Gounod | Capriccio on “Mireille”, Op. 6: III. “Anges du Paradis” | |
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4.
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Charles Gounod | Capriccio on “Mireille”, Op. 6: III. “Anges du Paradis” | |
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5.
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Charles Gounod | Capriccio on “Mireille”, Op. 6: V. Final | |
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6.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: I. Introduction | |
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7.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: II. Valse-Caprice | |
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8.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: III. “Ah ! Lève-toi, Soleil !” | |
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9.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: IV. Extase | |
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10.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: V. Valse de Juliette | |
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11.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: VI. La Chambre | |
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12.
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Charles Gounod | Capriccio on “Romeo and Juliet”, Op. 5: VII. Final | |
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13.
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Charles Gounod | Fantasy on “Faust”, Op. 13: I. “Salut, demeure chaste et pure !” | |
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14.
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Charles Gounod | Fantasy on “Faust”, Op. 13: II. Le Diable | |
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15.
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Charles Gounod | Fantasy on “Faust”, Op. 13: III. Introduction & Valse No. 1 | |
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16.
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Charles Gounod | Fantasy on “Faust”, Op. 13: IV. Valse No. 2 & Final |